Coming home was easy.
Letting go is hard.
An army veteran turned counselor must reconcile her grief or succumb to an addiction fueled existence meant to numb the guilt of lying to her husband.
When I finished my tour of duty and military career, I thought nothing could bring me down. I was wrong; it took over seven years for me to admit something was off. Even then, accepting that there was an issue was the hardest part. A faulty belief in my invincibility had caused problems both personally and professionally during those years.
This film is based on real-life experiences. However, when we first began discussions about a male veteran at the middle of our mental health story, a new question arose. What would happen if our protagonist was female? So, we broke away from the common narrative of only men suffering from PTSD and mental health issues. After consulting with women veterans, grief counselors, and mental health professionals, we realized April needed to come alive on screen.
Jason Keating
Writer and Producer
Shoot Days
Runtime in Minutes
Aspect Ratio
Jennifer Lindsey Grindall worked as our consulting veteran, coaching and supporting Victoria on set. Her personal story also informed the movie. As an army veteran diagnosed with PTSD who was married to another Army vet, this story became meaningful to her. She hopes this movie brings visibility to women veterans and their unique challenges. "We have stories, trauma, and experiences, too."
Director's Statement
Hypervigilance, insomnia, and emotional numbness developed in response to trauma can be assets in wartime settings where danger lurks at every corner. However, my work on this film and conversations with veterans over the past few years has driven home one point. While these coping mechanisms can be vital in combat, those same instincts are detrimental in civilian life, potentially leading to a diagnosis of Post-Traumatic Stress Disorder (PTSD).
Lindsey, a veteran consultant on this film, once told me that when she joined the Army at 19, it was the first time in her life she felt she "belonged" somewhere. Just a year prior to that conversation, my therapist had bluntly asked me, "Have you ever felt like you have a home or that you belong?" I still don't have an answer to that question. Being an immigrant with mental illness and a filmmaker raised in a non-artistic family, I always felt like an "outsider," even among my own relatives and friends. So, the stories of veterans feeling displaced, both at home and abroad, resonate with me.
Enter April, a character who embodies the fragility of human experience. She misses the uniform and hasn't fully accepted the reality of life without it. But standing at the edge of despair, she also embodies the resilience that resides in all of us when confronted with oppressive guilt. Her journey mirrors mine, as neither of us knows what lies beyond the closing credits—a parallel odyssey of navigating an unknown future. Neither textbooks nor professional guides can offer a roadmap to "curing" PTSD or severe identity disturbances, only the realization that progress comes from relentless effort and self-discovery.
THE GRIEF COUNSELOR isn't just a film; it's a tribute to resilience that reflects our shared humanity. Like April, it embodies the spirit of perseverance, celebrating imperfections and facing the unknown with bravery. Cheers to those who continue to fight.
Bishen Sen
Director
If one person talks. If one person listens and a positive outcome comes from the story, our mission is complete. PTSD and mental health issues are not shameful, they are not worth hiding from. Together, we can. Check in on your friends and loved ones.
We filmed The Grief Counselor in North Carolina in the cities of Charlotte, Statesville, and Hiddenite.
We filmed with the Arri Alexa Mini and Cooke Anamorphic lenses to create a world that is both vast and immersive.
No, but it is based on real-life experiences and consulted on by women veterans.
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